Bret Easton Ellis' 2010 release Imperial Bedrooms, inspired by Elvis Costello and the Attractions' album Imperial Bedroom, catches up with the characters of 1985's Less Than Zero. The novel opens with Clay recounting the last 25 years: he and Blair have broken up, he is now a big time screenwriter, and life's disappoints have continued to follow him. Far more grim than it's prequel, Bedrooms sheds bright light on the dirty backdoor deals Clay makes in order to ease his sexual frustrations and avoid any difficulties he comes up against. Bedrooms lacks the adolescent innocence and likability Less Than Zero possessed, drawing some of the bloody violence seen in American Psycho. However there is a plus: Ellis cleverly conveys his negative thoughts on the 1987 movie version of Less Than Zero, using the characters commentary after viewing it. Though I'm glad to have read Bedrooms, and have a deep admiration for Ellis' style, I would not necessarily recommend it. Three stars.
Friday, December 31, 2010
25 years later
Bret Easton Ellis' 2010 release Imperial Bedrooms, inspired by Elvis Costello and the Attractions' album Imperial Bedroom, catches up with the characters of 1985's Less Than Zero. The novel opens with Clay recounting the last 25 years: he and Blair have broken up, he is now a big time screenwriter, and life's disappoints have continued to follow him. Far more grim than it's prequel, Bedrooms sheds bright light on the dirty backdoor deals Clay makes in order to ease his sexual frustrations and avoid any difficulties he comes up against. Bedrooms lacks the adolescent innocence and likability Less Than Zero possessed, drawing some of the bloody violence seen in American Psycho. However there is a plus: Ellis cleverly conveys his negative thoughts on the 1987 movie version of Less Than Zero, using the characters commentary after viewing it. Though I'm glad to have read Bedrooms, and have a deep admiration for Ellis' style, I would not necessarily recommend it. Three stars.
Wednesday, December 29, 2010
Disappear Here
In 1985, California-born writer Bret Easton Ellis debuted with Less Than Zero, a satirical drama (titled after Elvis Costello's song of the same name) that follows Clay, a wealthy college student who has returned home to L.A. for Christmas vacation. With a drunk mother, separated parents, bratty sisters, a failing relationship, sexually promiscuous acts, heavy drug usage and MTV, Clay's life is a rollercoaster of problems and disappointments. Throughout the novel, he finds himself in many negative situations and consistently distances himself from his friends. After he and his friends find a dead body, and he later witnesses the gang rape of a twelve year old girl, Clay packs up and leaves L.A., his on-off girlfriend Blair and his heroin-addicted/prostitute friend Julian.Monday, December 27, 2010
Taintor love
Kitschy, colorful, and dare I say sassy, Anne Taintor's novelty items are a fun way to let out your inner quirks in a more subtle, almost cute way. (Rather than telling a prospective suitor you're more than a tad difficult, just place a "High maintenance doesn't begin to cover it" coaster underneath their glass. Message sent.) With a slew of products from coasters and office supplies to flasks and shot glasses, Taintor has made it easy to show off the retro design-backed humor.

Saturday, December 25, 2010
Totally different head, totally
Friday, December 17, 2010
found again

Thursday, December 16, 2010
Blue, the color of love is blue
Tuesday, December 14, 2010
Is this is a skiing movie?





Monday, December 13, 2010
Killjoys, make some noise
After a four year hiatus, Jersey post-punk rockers My Chemical Romance released their third studio album Danger Days: The True Lives of the Fabulous Killjoys. Seemingly indulgent, Danger Days is set in a post-apocalyptic world and captures the fantasy of classic sci-fi films. A far cry from the band's 2006 release The Black Parade, the album lacks in lyricism what it makes up in danceable hits, like the single "Na Na Na" and "Planetary (GO!)" Fast paced with obvious punk and disco influences, Danger Days allows MCR to shake the "emo" stereotype they earned with Three Cheers in 2004.
Sunday, December 12, 2010
have a listen
Laurie Blue Adkins, better known as Adele, captured my heart this weekend with "Rolling in the Deep." With bluesy vocals, the singer wails about a lover who "had my heart inside of your hand." The accompanying video is visually powerful, depicting thousands of half-filled glasses vibrating with the beating of a drum, and a pile of shattered cups and plates. The single will come out stateside in February on her second studio album 21.
Saturday, December 11, 2010
say hello to my little friend
From critically acclaimed author, James Frey, comes My Friend Leonard, a quasi-sequel to his first autobiographical fic A Million Little Pieces. Emotionally stunning, the novel picks up right after James is released from jail and is headed to see his girlfriend, Lilly, a recovering drug addict he met in rehab. When he arrives, she is dead, hanged by a rope in her shower at the halfway house she is staying. From there, you follow James as he deals with the grief of losing Lilly and the happiness he finds when he reconnects with Leonard, his "adoptive" father he befriended at the rehabilitation facility. If you have read Pieces, then you know Leonard's fate, but don't let that deter you from reading Leonard in its entirety. It will make you laugh and most certainly make you cry, but true to Frey's style, it will also make you think.
Friday, December 10, 2010
can't you hear the thunder?

Thursday, December 9, 2010
April, 2010
Nestled between The Highland Inn and Café di Sol in Highland Row in the Poncey-Highland area of Midtown is Youngblood Gallery. Claiming to be “the foremost independent showcase in Atlanta for emerging and Do-It-Yourself crafters,” the gallery and boutique thrives with almost every inch of the brightly lit showroom eclectically covered in some form of papercraft, pottery or painting. A narrow hallway at the back of the showroom opens into the white wall, high ceilinged gallery space. Tacked and hung along the white plaster walls were the prints and masks of Dennis McNett, and prints and ink designs of John Reardon.
Hailing from New York, Virginia-born artist McNett draws influence from the 80s skateboard scene, 70s punk movement, Native American art and Day of the Dead designs. His work has been featured in Juxtapoz Magazine, Thrasher and Complex Magazine and The New York Times, and he has deisgned skateboard graphics for Anti-Hero and Vans shoes. He now works as a printmaking professor at Pratt Institute (where he received his Masters of Fine Arts.)
His media of choice—wood blocks and ink—showed his incredible design talent and eye for detail in such prints as “Noose Tree” and “Leopardsnake.” Both used fluidity and boldness of line and an intensity that immediately drew me in. McNett’s most impressive work, “Snow Leopard and Goat,” a remarkable 44 inch by 84 inch tapestry-size print, depicted a snarling, savage leopard crouching atop an expressionless goat, its legs twisted at impossible angles, seemingly broken by the great cat. He described it as a “suicide print,” an apt description as it was carved and printed from one large wood block.
“I use animals as people,” said McNett. “My prints are narratives that are not so much about expression but telling a story.”
In addition to his many animal prints, a set of five skateboard decks for Anti-Hero and three plaster, ceramic and glass masks he created for the Resurrection of Fenris as part of the 2007 Deitch Art Parade in New York.
Reardon, also from New York, works as a tattoo artist at Saved Tattoo in Brooklyn. He also attended Pratt and has done hundreds of body art designs.
“I do art because of the Three Fs,” said Reardon. “Fun, finance and… girls.”
His “Three Fs” philosophy is apparent in his work, most of which seemed to have been copied from a 15 year old boy’s binder, and show heavy sampling of Ed Hardy designs—bold red hearts wrapped in scripture and stabbed through with daggers. To put it nicely, most of his pieces were painful clichés. However, there were a few, namely the two pen and ink drawings “The Social Elite Print” and “Two Headed Cobra,” that were able to even compete with McNett’s impressive prints.
Wednesday, December 8, 2010
Blazers of Glory
Straight from the horse's mouth
From the decreasing CD, book and movie sales and skyrocketing popularity of torrent sites, e-readers and movies on demand, our future is looking idle and impersonal. The happenstance of discovering a new favorite among the seemingly odd and previously unheard of and the intimacy of the experience is something the technology of our future will never provide. Remember the entertainment we once relied on, and instead of looking to the future, fondly look to the past.







































